Talking. It’s something that most
characters do (though Harpo Marx sure got along just fine without it), but it’s
something that some authors really struggle with. How does one write real and
convincing dialogue? Do you just add a boatload of swearing? Do you write out
every accent phonetically? Or do you, uh, put in all the, uh… oh, what are they
called?... all the idiot syllables and, uh, other assorted nonsense we add to our
everyday speech?
No, you don’t have to do any of that (in
fact, you’re way better off if you don’t!)
There are two big things to keep in mind
when working on your dialogue-writing skills, and they’re pretty simple, too.
First off, listen. Just listen to every
conversation you have, listen to every conversation in movies, television, the
radio. Listen to how people talk in all settings. Pay attention to how people
of different ages and backgrounds speak. (But never give in to stereotypes!
That is never, ever a good thing!)
Don’t just listen to the words. Also pay
attention to the rhythm. How do people talk when things are urgent? How do
people talk when they’re head-over-heels in love with each other? When they’re
sad? Angry? There’s a different rhythm to every conversation, and that rhythm
is just as important as what is being said.
Think of it this way: two people exchanging
witty insults (think Beatrice and Benedick from Much Ado About Nothing) will
have a quick pace to their conversation. We dart back and forth quickly and
perhaps erratically from character to character. On the other hand, two people
who are having a serious, in-depth discussion will have a steadier, slower
rhythm as they explain themselves.
Step two is to learn how to prune. Never
stop listening to conversations, but once you really begin to get a grasp on
the words and rhythms, think of what needs to be cut out. Ask yourself this:
Does it progress the plot or develop backstory? Does it develop the character?
No? Then it can probably be cut.
Human beings drop a lot of idiot syllables
and unnecessary additions into their speaking. This can be cut. Swearing is to
be used sparingly and only if they character would actually use it. There’s no
reason to have every single greeting, farewell and formality in conversations.
These are just a few of the things you can cut and still have real and
believable dialogue.
So, the moral of the story? Pay attention!
Listen to how we talk and then learn to tell what we say is complete fluff.
Keep your ears at attention, and you’ll be writing stellar dialogue in no time.
Jennifer Rainey |
Guest post by Jennifer Rainey. Jennifer Rainey
was raised by wolves who later sold her to gypsies. She then joined the circus
at the age of ten. There, she was the flower girl in the famed Bearded Bride of
Beverly Hills show until the act was discontinued (it was discovered that the
bearded lady was actually a man). From
there, she wandered around the country selling novelty trucker hats with
vaguely amusing sayings printed on front. Somehow, she made enough money to go
to The Ohio State University for a major in English.
Website: http://www.jenniferrainey.com
Jennifer will provide two $20 Amazon GCs and five copies of Thoroughly Modern Monsters, her short story collection to randomly drawn commenters during the tour. The grand prize to one randomly drawn commenter will be a $25 Amazon Gift card, a copy of These Hellish Happenings (her first novel) and a copy of Thoroughly Modern Monsters so I e
ncourage you to follow the tour and comment; the more you comment, the better your chances of winning. The tour dates can be found here: http://goddessfishpromotions.blogspot.com/2012/07/virtual-book-tour-bedlams-eye-by.html
advice for writers
creating realistic dialogue
dialogue
guest post
Jennifer Rainey
Writing Dialogue in Fiction
10 Comments
Thank you for hosting Jennifer today!
ReplyDeleteMy pleasure :)
DeleteThank you so much for having me on today! It was a lot of fun to write this blog entry. :) I'll be around on and off throughout the day to respond to any comments or questions any readers might have.
ReplyDeleteThanks again!
Great post, I enjoyed it.
ReplyDeleteKit3247(at)aol(dot)com
A good ear for dialogue is a rare thing...thanks for the post!
ReplyDeletevitajex(at)aol(dot)com
Loved your comments. So true.
ReplyDeleteI wanted to run away and join the circus (and go to clown school in Sarasota). NOW, I do wonder how the wolves negotiated the sale to the gypsies?? Did they have to use a translator? Love your bio...
ReplyDeletecatherinelee100 at gmail dot com
Very nice post.
ReplyDeletebn100candg(at)hotmail(dot)com
I love the author's bio. Thanks for sharing.
ReplyDeletekybunnies(at)gmail(dot)com
I stumble enough over speaking my words let alone writing them. Loved this thank you.
ReplyDeletemarypres(AT)gmail(DOT)com
I love to hear from you. So feel free to comment, but keep in mind the basics of blog etiquette — no spam, no profanity, no slander, etc.
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