I’m
a self-published author and quite happy about that state of being overall. Too
much of a free spirit for my own good, I can’t stand the thought of my novels
being owned by anyone but me.
However,
as a professional book-writing coach and editor, I can present just as strong a
case for being self-published as being traditionally published. Honestly, I
think it comes down to personality and goals here.
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Each
writer is different, and so each writer is allowed to have a different answer.
In other words, the point of this blog isn’t to discourage writers from
self-publishing if that’s what they think is best for them.
It’s
only to encourage them to do it right. With that goal in mind, let’s address the
top 3 self-publishing mistakes – and how to avoid them.
Myth #1: You’ll
automatically be able to sell a ton of books to friends, family and followers
through your social media platforms alone.
Fact #1: If you have
a couple thousand actively engaged Twitter followers, maybe that’s true.
Otherwise, you’re rather out of luck.
No
matter which social media platform you’re using, not every single connection
you have is going to see your post. And of those who do see your post, not
every single connection is going to react to it.
And
out of those who do react to it, not every single connection is going to
purchase it.
All
added up, it can amount to a really low number of books sold.
Solution #1: Determine
what your book’s particular niche is and run with it. Promote social media ads
targeting those kinds of people. Participate in events, conferences and
organizations where they go.
There
are ways to sell your self-published books. It just takes a bit more effort
than merely posting a catchy link.
Myth #2: You don’t need
professional input on your front cover.
Fact #2: We all judge
books by their covers. It’s just a fact of life.
Well-established
authors with ginormous followings can get away with publishing boring front
covers. For my part, I’d buy anything Kate Quinn put out without even looking
at the binding. People like that? Their names alone sell their works, hence the
reason why their names often take up a full third of the front jacket.
But
that’s them. It’s probably not you. Therefore, you need to put some serious
thought and skill into your presentation.
Solution #2: If you’re good with
Adobe Photoshop, Illustrator and other creative programs, feel free to skip the
expense and do it yourself. Utilizing a friend or family member with the right
skillset is perfectly acceptable as well.
Just
make sure to get as many people weighing in on the final cover as possible.
If those resources aren’t available, sites like Fiverr can be a great,
relatively cheap choice compared to spending $600 or more on a top-notch
graphic designer.
You
don’t have to spend a ton of money on a graphic designer in the end. But you do
have to spend some significant effort.
Myth #3: You can edit your own book.
Fact #3: You can’t
edit your own book, or at least not very well. It’s not humanly possible.
Take
it from someone who’s written 15 novel-length manuscripts, published 10 of them
and runs her own editorial business. After a certain point, self-editing is
pointless.
Writers
most definitely should work at revising their own first drafts, second drafts
and third drafts – maybe even fourth – before asking someone else to read the
story over.
But
there’s just a certain point where the writer and even beta readers are going
to fail miserably in helping you present a polished final draft.
Solution #3: Get an editor
who’s willing to put in the time and effort necessary to smooth out your story.
This means addressing where sentences seem inappropriately choppy, where plot
points contradict, where setting details drone on and where characters come
across as unrealistic.
We
writers are too far inside our own heads to see all those nitty-gritty details.
And beta-readers, while wonderful, are more interested in reading a good story
than giving such down-to-the-last detail notes.
So
again, get an editor – someone who is going to be honest with you in offering
constructive criticism but one who also respects your ultimate authority over
your own manuscript and genuinely wants you to succeed.
This
can be a professional editor, or it can be someone you know. For my part, I
utilize my older sister. She can be downright brutal to my manuscripts at
times, and I don’t always like her for it. But at the end of the day, I know
she has my back in pointing out what she does.
Besides,
her input takes my stories from “good” to “downright awesome.” And what writer
wants anything less than that?
Jeannette DiLouie was born a New Jersey girl and will die the same even if she grew up in Pennsylvania, lived in Maryland and is now back in PA. She’s also a cookie dough-eating, travel-obsessed bookworm and editor who loves helping others reach their own writing goals and dreams. Ethnically half-Italian, Jeannette is tragically addicted to carbohydrates. Ethnically half-Scottish, she’s counting down the days when she can go visit again. And being just under five-foot three, she happily claims her short-girl rights to climb on any shelf or counter she needs to.
Website: https://www.JeannetteDiLouie. com
Social Media Links:
Instagram: https://www.instagram.com/ innovativeediting
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