It’s a Children’s/Young Adult fantasy novel about an over-medicated
fourteen year old boy called Max Tovey who can see the past, like a peripheral overlay on reality. He also
has Post Traumatic Stress Disorder, and is on medication, for the PTSD, and for
his ‘visions’. But the only cause his Doctor can find for the PTSD is a
recurring nightmare of fighting alongside his grandfather Percy on a Somerset Hill
Fort against Romans and Demons - but Max has never been to Somerset, nor has he ever met Percy. But then he has to go there, for his
grandfather’s funeral, when he discovers to his delight and alarm that he’s a
time traveller, and that the recurring nightmare is actually a memory of a past
that’s been changed – by Percy. And so, alongside a weird and wonderful
collection of other time travellers, ancient Kings, giants and battle faeries, Max
embarks on a wild ride through West Country history, both real and
mythological, to find the legendary Montacute Cross, close the gates to the
Underworld, and lift the curse on his family.
What's the best thing about being a
writer?
Being able to get the weirdness out of your head.
Where can people find out more about
you and your writing?
My animation writing resumé is at www.toonspace.co.uk,
but other than that I can be found at www.alastairswinnerton.com. I
don’t blog nearly as much as I should, but I just think the world is rather
over-full of writers talking about writing, and, seriously, who needs to know
what I just had for supper? Sure, J K Rowling gets retweeted at the speed of
light about everything from politics to the rugby scores, but then she is a
goddess, and I’m not. Not that I would be a goddess – oh, you know what I
mean...
Who is you favorite character
in your book and why?
My
main character, Max, because he is in many ways me. That sounds a bit up
myself, but in defining his character I got to explore his Dyspraxia and Post-Traumatic
Stress Disorder. Dyspraxia is little known as a condition, and until a family
member was diagnosed with it, I had no idea it existed. But when I started
reading up on it, I realized that was completely me. When I was young it was just
known as ‘clumsy, shy and having a sieve for a brain’, but now it has a name.
It’s part of the autism spectrum, and the main symptoms are extreme social
awkwardness, the inability to filter your thoughts for weirdness before they
come out of your mouth, and a problem with short-term memory – the ‘in one ear
and out the other’ syndrome. Obviously most teenagers have that, but with
Dyspraxia, it’s actually a physical thing, in that there’s a problem with the
hippocampus, the part of the brain that translates short term memories into
long term ones. Max has all of the above in spades, as did I when I was his
age, before I began to learn coping mechanisms.
But
he also has PTSD, which in a teenager can have catastrophic psychological
effects. His stems from what turns out to be a real memory of fighting for his
life alongside his grandfather when he was ten, until his grandfather went back
in time, and changed the past so that the episode never happened. But Max still
has nightmares about it, as, it turns out, do many of the other people
involved. My own PTSD doesn’t have quite such dramatic origins, and I won’t go
into what caused it, but suffice to say I know all about the panic attacks, the
startling at sudden noises and the fear of leaving even your room let alone
your comfort zone that Max has had ever since what is known as ‘the incident’.
Almost as soon as I’d created Max as a character, long before I had the plot
for the book, I knew he had to have these traits, and in many ways they
actually informed the plot of the book, which for me was very interesting,
letting my character’s problems define the way the story played out.
Why do you think readers
are going to enjoy your book?
I
hope they will think it’s a ‘rip-roaring ride through time’ as one reviewer put
it, but I also hope they will identify with Max as he battles with his problems,
and ultimately, if not defeats them, then at least finds a way to cope with
them. Mostly I hope they will feel that I’ve created something a little
different, not just mixing sci-fi with fantasy, but also putting a hero in the
middle of it all who plainly doesn’t want to be a hero, but who ultimately
accepts that he has to be if he’s ever going to sort his life out.
Where can a reader purchase
your book?
In the UK - http://www.amazon.co.uk/The-Multiverse-Max-Tovey-Chronicles/dp/1943755019/ref=zg_bs_5346559031_46
In the US - http://www.amazon.com/The-Multiverse-Max-Tovey-Chronicles/dp/1943755019/ref=cm_cr_pr_product_top?ie=UTF8
Direct from the publisher - http://www.europeangeeks.com/store/p7/The_Multiverse_of_Max_Tovey_%28Print%29.html
From Barnes and Noble - http://www.barnesandnoble.com/w/the-multiverse-of-max-tovey-alastair-swinnerton/1122499624?ean=9781943755011
Or just go into your local book store and get them to order it!
How do you research your books?
Almost
entirely by reading up on the subject, and a lot of staring out of windows and thinking. I spent a long time
researching this one – it was probably two years or so before I actually
started writing. Local mythology and legends, the real history of Ham Hill
itself, and of the Inn that’s at the centre of it, then wider into general
Celtic myths and legends, just making sure I got my facts right before the
writing began. I have an electronic bookshelf like you wouldn’t believe – god
bless archive.org!
The as yet
unnamed sequel. Nine months have passed since the end of the first book, and
(spoiler alert!) Max and his best friend Myvi are no closer to finding the
Montacute Cross, or the crosses of Arimathea’s disciples that must be found
first – it’s like Time has hidden them all. And then, at the beginning of book
two, they find themselves at the Battle of Hastings, rescuing an injured King
Harold, who, until moments before they got to him, had one of the crosses
around his neck...
What books or authors have most
influenced your life?
I was a big
fantasy and sci-fi reader when I was young – Tolkein of course, and C S Lewis,
but also Moorcock, Asimov, Philip K Dick, and later the legends that were
Douglas Adams and Terry Pratchett. But more than any of those, this book was
probably most influenced by an early literary love of mine, Alan Garner, and especially
his books ‘The Weirdstone of Brisingamen’ and ‘The Moon of Gomrath’. I loved
the way he brought myth and legend into ordinary places, mixing the ordinary
with the extraordinary if you like. When I started working this book out, and
decided it had to be set around Ham Hill, I really wanted to try to do with my
beloved hill fort what he had done with his own beloved Alderley Edge in
Cheshire.
When you’re not writing, how
do you spend your time?
How do you
mean, when I’m not writing...?
advice for writers
Alastair Swinnerton
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