At times life
leads us down roads we never intended to travel. For some this becomes a
pattern, leaving us in unfamiliar territory time after time, struggling to
learn as we go. Writing and publishing Tears
Water the Seeds of Hope was as much an unexpected adventure as the journey
that inspired the book.
Tears Water the Seeds of Hope is the true story of an ordinary couple
that is drawn into heartbreaking situations that ultimately compel them to establish
a non-profit organization to save the lives of children in the end-stages of starvation
in eastern Guatemala .
My husband and I are the clueless and ill-equipped protagonists who unwittingly
experience an Indiana Jones caliber adventure that crosses three continents and
draws hundreds of volunteers and supporters to join the charge on behalf of the
families of drought and famine stricken Chiquimula ,
Guatemala . The
difficulty of the conditions described in the book and the sadness of the situations
we encounter are often lightened with humor and joy as tragic losses are
balanced with triumphant victories.
It was never my
intention to write a book, but as others heard the true accounts of the
harrowing encounters we experienced, they declared that we had lived a novel
that many would enjoy reading. So one day I sat down at my computer and began
to type. The writing and publishing process has been as challenging and
perplexing as the daunting task of beginning mission work in a foreign country
with no pertinent skills or training. I share what I have learned in hopes that
it will help other new authors to succeed.
Most major
traditional publishers require that book submissions reach them via literary
agents who often reject requests for representation by new authors based on a
one page query letter. So unless your name is Danielle Steele, it is nearly
impossible to attract the attention of the major traditional publishers. After
researching several publishing options including smaller independent traditional
publishers and co-publishers, I eventually decided on self-publishing as the
best option for me.
I contacted the
self-publishing imprints of several major publishers as well as a few
independent self-publishers. Each offered vastly different options and publishing
packages. I found that I liked various features of the contracts of each of
three different publishers, but none encompassed everything I was hoping for. I
began to negotiate with the self-publishing companies in an attempt to combine
the best features of each contract into the arrangement I wanted. I eventually
arrived at CrossHouse as my publisher and have thoroughly enjoyed my experience
with them. CrossHouse publisher Katie Welch was happy to work with me to
establish the contract I wanted and was available for consultation and advice
throughout the process. The following are contract features that self-publishing
authors should insist on.
1. The
publisher must provide a publishing date commitment.
2. Final
editorial control must stay with the author.
3. Book size,
number of pages and price specifications must be set according to the author’s
wishes.
4. The
publisher must make a commitment to produce the book in formats desired by the author
such as paperback, hard cover and various electronic formats.
5. The publisher
should offer deep author discounts on an increasing scale based on number of
books purchased.
6. The publisher
should waive any publishing fees at a specified pre-order volume.
7. The author
must have the right to terminate the contract and pursue other publishing
options at any time.
Self-publishing
companies often mimic traditional publishers by assuming responsibilities such
as selling and distributing books and paying royalties. The contract must
specify the royalty percentage to be paid and it should be clear whether the
royalty percentage is based on net sales or net sales less production and
shipping costs. The author should retain the right to order and reorder books
at the agreed upon discount and to market and sell them anywhere and at any
price desired.
Self-publishing
is the fastest way to get a book from the author’s pen to the public as
traditional publishing can as long as two years. The process with CrossHouse, from
signing a contract to publication, was only three months. If self-publishing is not for you, it is wise
submit query letters to many literary agents and traditional publishers who
handle your genre, and be prepared to be patient. Each receives thousands of
queries each year and large reading backlogs are the norm. Believe in your work
and don’t be afraid to follow up. I eventually received several offers from
publishers, one of which I had followed up with twice. But by the time they
each got around to reading my material, I was well on my way to publication
with CrossHouse.
advice for writers
Kim Tews
self publishing
self publishing advice
traditional publishing vs self publishing
writers and authors
3 Comments
Awesome Post!!!!!
ReplyDeletei found this post very informative and interesting though i was a bit ocnfused at the words selfpublishing and publisher. I was under the impression sefpublishing you do it all like at amazon with somthign like create space or Iverse to print the books.. I would love more detailed information on this.. Good luck!!
ReplyDeleteSuch a nice story :)
ReplyDeleteI love to hear from you. So feel free to comment, but keep in mind the basics of blog etiquette — no spam, no profanity, no slander, etc.
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